Saturday, November 21, 2009

Tanka

Vague and very veiled
Recollections of the past
Gently glide by me,
Then too quicky disappear --
When I grope for them, they're gone.

--James Kahn, CHS 230

Mirror -- Published by the students of the Central High School of Philadelphia, is the oldest High School Magazine in the United States. Volume 84, number 2 -- May, 1969.

James Kahn was a classmate in my ninth-grade English class at Central High School, taught by Mr. Elliott Cades. We were not friends. But we spoke on the telephone several years ago; Mr. Kahn was in charge of a recent class reunion. I reminded him that we were in the same English class in ninth grade. "Mr. Cades? How could I forget that?"

Another student in that class -- in fact he sat next to me the entire school year -- was Elliott R. Feldman, Esq., now a partner in the Philadelphia law firm of Cozen O'Connor. Mr. Feldman is a brilliant young man. I shipped him a copy of my book Significant Moments some time ago. Mr. Feldman and I were not friends and, in fact, never spoke a word to each other.

http://www.cozen.com/attorney_detail.asp?d=1&atid=206

3 comments:

My Daily Struggles said...

Message for Mr. Feldman: Get Met. It pays!

My Daily Struggles said...

Yes, my classmates at Central High School were all expert Glass-Bead Game players!

My Daily Struggles said...

What is Tanka?

Tanka is the name of an ancient form of Japanese poetry.

Tanka are 31-syllable poems that have been the most popular form of poetry in Japan for at least 1300 years. As a form of poetry, tanka is older than haiku, and tanka poems evoke a moment or mark an occasion with concision and musicality.

During Japan's Heian period (794-1185 A.D.) it was considered essential for a woman or man of culture to be able to both compose beautiful poetry and to choose the most aesthetically pleasing and appropriate paper, ink, and symbolic attachment---such as a branch, a flower---to go with it.

Tanka were often composed as a kind of finale to every sort of occasion; no experience was quite complete until a tanka had been written about it.

Tanka have changed and evolved over the centuries, but the form of five syllabic units containing 31 syllables has remained the same.Topics have expanded from the traditional expressions of passion and heartache, and styles have changed to include modern language and even colloquialisms.

In Japanese, tanka is often written in one straight line, but in English and other languages, we usually divide the lines into the five syllabic units: 5-7-5-7-7.

Usually, each line consists of one image or idea; unlike English poetry, one does not seek to "wrap" lines in tanka, though in the best tanka the five lines often flow seamlessly into one thought.

English is very different from Japanese, and the first-time writer of English-language tanka may find that his or her tanka are more cumbersome and contain more images than we find in translated Japanese tanka. With practice, though, you will find the form strangely suitable to our relatively nonsyllabic language.

Many writers of English-language tanka use less than 31 syllables to achieve the form in English. American Tanka publishes tanka of five lines that are concise and evocative, are true to the purpose and spirit of tanka, and echo the original Japanese rhythm and structure.