A blog devoted to the actors and public policy issues involved in the 1998 District of Columbia Court of Appeals decision in Freedman v. D.C. Department of Human Rights, an employment discrimination case.
Sunday, December 25, 1870 About this day, my children, I can tell you nothing—nothing about my feelings, nothing about my mood, nothing, nothing, nothing. I shall just tell you, dryly and plainly, what happened. When I woke up I heard a sound, it grew even louder, I could no longer imagine myself in a dream, music was sounding, and what music! After it had died away, R. came in to me with the five children and put into my hands the score of his "Symphonic Birthday Greeting." I was in tears, but so, too, was the whole household; R. had set up his orchestra on the stairs and thus consecrated our Tribschen forever! The Tribschen Idyll—thus the work is called. — At midday Dr. Sulzer arrived, surely the most important of R.'s friends! After breakfast the orchestra again assembled, and now once again the Idyll was heard in the lower apartment, moving us all profoundly (Countess B. was also there, on my invitation); after it the Lohengrin wedding procession, Beethoven's Septet, and, to end with, once more the work of which I shall never hear enough! — Now at last I understood all R.'s working in secret, also dear Richter's trumpet (he blazed out the Siegfried theme splendidly and had learned the trumpet especially to do it), which had won him many admonishments from me. "Now let me die," I exclaimed to R. "It would be easier to die for me than to live for me," he replied. — In the evening R. reads his Meistersinger to Dr. Sulzer, who did not know it; and I take as much delight in it as if it were something completely new. This makes R. say, "I wanted to read Sulzer Die Ms, and it turned into a dialogue between us two."
Piano arrangement of Siegfried Idyll, Part I:
ReplyDeletehttp://www.youtube.com/watch?v=I3WC4avQt50
Piano arrangement of Siegfied Idyll, Part II:
ReplyDeletehttp://www.youtube.com/watch?v=7z3PXRWZtBE&feature=related
Cosima Wagner wrote in her diary:
ReplyDeleteSunday, December 25, 1870 About this day, my children, I can tell you nothing—nothing about my feelings, nothing about my mood, nothing, nothing, nothing. I shall just tell you, dryly and plainly, what happened. When I woke up I heard a sound, it grew even louder, I could no longer imagine myself in a dream, music was sounding, and what music! After it had died away, R. came in to me with the five children and put into my hands the score of his "Symphonic Birthday Greeting." I was in tears, but so, too, was the whole household; R. had set up his orchestra on the stairs and thus consecrated our Tribschen forever! The Tribschen Idyll—thus the work is called. — At midday Dr. Sulzer arrived, surely the most important of R.'s friends! After breakfast the orchestra again assembled, and now once again the Idyll was heard in the lower apartment, moving us all profoundly (Countess B. was also there, on my invitation); after it the Lohengrin wedding procession, Beethoven's Septet, and, to end with, once more the work of which I shall never hear enough! — Now at last I understood all R.'s working in secret, also dear Richter's trumpet (he blazed out the Siegfried theme splendidly and had learned the trumpet especially to do it), which had won him many admonishments from me. "Now let me die," I exclaimed to R. "It would be easier to die for me than to live for me," he replied. — In the evening R. reads his Meistersinger to Dr. Sulzer, who did not know it; and I take as much delight in it as if it were something completely new. This makes R. say, "I wanted to read Sulzer Die Ms, and it turned into a dialogue between us two."